(This page has links to other websites so that you can find out more information about the companies)

My equipment is always being updated so new equipment might not be added to this list yet.  If you would like something not on this list, please contact me and I will be happy to find it for you.

 Recorders:

• Fostex FR2;    Portable pro audio timecode recorder with CF and PCMCIA hard drives, Portabrace and Petrol bags, keyboard, and other accessories

• Sony TCD-D100;    Portable DAT recorder

• Sony DTC-ZE700;    Pro. studio DAT tape deck.

• Sony MZ-NF610 Type S;    Portable mini-disc recorder

• RS 234DR;    Portable miniature digital recorder

• Marantz PMD-221 and PMD-201;    Portable cassette recorder  (used for transcription)

• Panasonic RQ-L317;    Walkman cassette recorder

• Panasonic RR-930;    Variable speed cassette transcriber

• Alienware PC with Sound Blaster Audigy 2 ZS Platinum;    Digital audio workstation

• Emachines M6809 AMD 64bit laptop;    Great for field recording, playback, logging, and multimedia. (Both with Avid Xpress DV, Sony Vegas 6+DVD, Adobe Audition, and a very large SFX library)

Microphones:

• (2) Countryman B6 LAV's;    Great tiny LAV's

• Sanken CS-3e:    Great all-around pro shotgun mic with full Rycote (windjammer/zeppelin) setup

• Sennheiser 416;    Standard shotgun mic

• (2) Sennheiser ME-64/K6's;    Cardioid shotgun mic's

• Sennheiser ME-67/K6;    Long shotgun mic with Rycote wind cover

• (2) Sony BCM-R100;    Boundary mic's

• (8) Audio Technica ATR35s;    Extra LAV Mic's

• Shure;    Dynamic vocal Mic with windscreen

Wireless Sets:

• (2) Sennheiser Evolution G2 100 Series;    ENG/Doc. wireless systems

• (4) Comtek PR72's;    Wireless headphone receivers/feeds (1 TX and 4 RX's)

• (6) FRS/GMRS Radios;    Walkie-talkies with head sets, belt clips, and neck straps for cast and crew communications

Mixers:

• Sound Devices 442;    Pro. 4 channel field mixer with Petrol bag and other extras

• (2) Rolls "ProMix" MX124;    Basic 4 channel mixer (additional / backup)

Everything Else:

• Slate;    Don Earl laminated clap slate with case, markers, and erasers.

• 7" Portable video assist monitor;    Can be used on cart, portabrace rig, or Boom Operator.

• Remote audio BDSv2 and 2 IDX Lithium Ion NP1 Batterys;    Power distribution box (powers entire main rig by one NP1 battery)

• (2) K-Tek Carbon-Fiber Boom poles;    Internally cabled with full Rycote setups and other extras

• Custom Soundcart;    With PSC boom pole holders, cable hooks, and clip-on umbrellas

• Mic stands with boom arms, along with tabletop and clip-on mic stands

• Large heavy duty Sound Blankets

• (6+) Sony Pro 7206 and other headphones

• XLR Cables;    Many various lengths(3ft-50ft) and types (Breakaway, Duplex, etc.)

• "Adapt-a-pak" adapter kit;    50+ different types of adapters

• Portable CD-players

• (2) Dogg Digital pro audio theater speakers

• Thumper/subwoofer for music playback

• Heavy duty Pelican cases for all equipment

• Fujifilm FinePix F700 and Canon S3-IS; "pro-sumer" digital cameras (Great for high quality pre-production, and production pics)

• Vast library of production and post/sound design books for film and video